We are definitely back

I just wrapped what was certainly my busiest week of playing since the pandemic began. If my calculations are correct, I logged 4 gigs in a week which doesn’t sound that crazy until you factor in the 19 hours of rehearsal (actual number!) that these shows required.

On Monday, I had a morning rehearsal for Prospect Theater’s Tuesday night REIGNITE concert. Before the concert, we had a 5-hour tech rehearsal where we worked out the staging for 15 different songs, each featuring a different vocalist or vocal ensemble. It was my first time playing at Symphony Space in at least ten years! I thought the drums looked great on the stage!

On Monday and Thursday, I had rehearsals for the Selena project I’m in. We played a Dia de los Muertos party on Saturday night at what is normally a restaurant in Ditmas Park. It turned out to be a great place for a concert. We sold the place out! I didn’t take any pictures except for this blurry one with percussionist Neil Ochoa. That dude can play.

Before the Selena gig, I played a super fun Halloween gig with Brass Queens at the Zo Loft in Rockefeller Center. I thought one of the coolest parts was that I got to venture down to the loading dock that services all of RocCen to load in my drums and park my car while I was at the event. It blew my mind that I entered the loading dock at 50th street and drove a block and a half underground to get to 1 RocCen. There’s a whole world down there! Brass Queens repurposed their custom Stella McCartney jumpsuits made for the Met Gala into “Brasstronaut” suits. I LOVED IT!

The final show of the week was Drew Gasparini’s show last night at “Broadway’s Living Room,” 54 Below. This has become the cabaret spot in NYC. The energy in that room is always electric and Drew really brought down the house. I last played with Drew in the Bahamas in February 2020 for a presentation of his coming-to-Broadway show, the Karate Kid.

The craziest part of the week, perhaps, was the rehearsal for Drew’s show, which was at Euphoria Studios, the place I was rehearing on 3/12/2020 when it became suddenly clear that the world was shutting down. On my way in I passed the Sweetgreen we ate lunch at that day and the matcha shop that we stopped at for a quick pick-me-up. Coincidentally, the bass player on Drew’s gig, Justin Goldner, was the MD for that rehearsal in March. It was all very surreal.

Again, I only took one photo last night and it was with Erica Rotstein, Drew’s manager and one of the producers from Hundred Days, who happens to be married to my lifelong friend Ian Kagey. It was great to get to catch up over a drink at the end of a very long week!

I think that’s it! Thanks for following along. Now it’s time to pack for Grinch tour which kicks off on Saturday!

Operation Gig

At the Japanese House with Brass Queens

At the Japanese House with Brass Queens

I had the pleasure of playing not one but TWO events presented by Operation Gig over the weekend. If you aren’t familiar with the series, Operation Gig has been presenting crowd-funded outdoor gigs to help support working musicians through the Covid era. The concerts are hosted throughout porches in Ditmas Park, one of my absolute favorite neighborhoods in all of New York City.

Amor Prohibido pre-show. Yuka Tadano on bass and Rich Stein hiding back there on percussion.

Amor Prohibido pre-show. Yuka Tadano on bass and Rich Stein hiding back there on percussion.

Saturday’s concert featured the triumphant return of Amor Prohibido: The Must of Selena. I fall in love with her songbook the more I play it and it is truly a joy to play with each and everyone in that group! Sunday’s concert was with Brass Queens at the famed Japanese House and it was amazing to play with those ladies after being away in California for three weeks!

It felt really good to have back to back weekend gigs after a difficult year of lockdowns and cancellations. The Ditmas Park community came out strong both days and it was a delight to share both of these projects with everybody.

Me and some absolute legends who came out to Brass Queens: Jo Lampert, Kate Freer, Barrie Lobo-McLain, and Ada Westfall.

Me and some absolute legends who came out to Brass Queens: Jo Lampert, Kate Freer, Barrie Lobo-McLain, and Ada Westfall.

On the Radar: More Selena!

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As you may recall, we had a helluva time doing a Selena tribute at Barbes a few months ago. Such a good time that we are doing it again! This time in Bushwick presented by Barrio Collection, in celebration of the 25th anniversary of Selena’s last concert (it is a gift from God that footage from that event exists). We packed Barbes last time and hope to do it again at Gold Sounds (tickets available here). Hope to see you there!

Selena @ Barbes

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I am still radiating joy from the all-Selena show I played at Barbes over the weekend. This gig had been in the books for quite sometime. With only a few rehearsals, I was pretty nervous about it to tell you the truth!

I’ve played a lot of Latin styles in my career, but never cumbia, the folk music of Colombia, which is the basis for many of the grooves in Selena’s repertoire. After understanding the fundamentals of the style, I had to figure out how to adapt it to the drum set and share duties with only one other percussionist, who I only had one rehearsal with. Thankfully Brian Adler is a true pro and with his guidance, we were easily able to divvy up responsibilities.

On the day of the show, I finalized what my setup would be: after toying with it on the left, I mounted a cowbell on the right side of the kit, used mostly my left hand to cover maracones with the hi-hat, and left the snares off to play some timbale-like fills. Brian covered congas, bongos, and a ton of fun “toys."

I am happy with the way it turned out and thought I would share the entire recording. Here’s the personnel and setlist:

La carcacha—>
Techno cumbia
No me queda más
Si una vez
Como la flor
I could fall in love
Dreaming of you
Baila está cumbia—>
Amor prohibido
Tu solo tu
El chico del apartamento 512—>
Bidi Bidi bom bom
E: La carcacha —>Techno cumbia

Jenny Luna: vocals
Barrie Lobo McLain: backup vocals
Sky Steele: synths, violin, backup vocals
Joshua Camp: accordion, keys
Michael Winograd: clarinet, saxophone
Ilusha Tsinadze: guitar
Mike Lavalle: bass
Ashley Baier: drums
Brian Adler: percussion