Happy Opening, American Morning!

Timothy Huang’s American Morning opened last night at ART/New York Theatres. The show runs for the next two weeks and is presented by Prospect Theater Company. It has been fun, challenging, and rewarding to develop this drum book. Special thanks to our fearless MD, Julianne Merrill, for her patience and guidance!

That's a Wrap: Hundred Days

What a journey the last seven months have been. I’ve played Hundred Days 120+ times and I would be happy to double that number! This show and the people in it have changed my life in ways that I'm just beginning to process. Thank you especially to The Bengsons for embracing me and bringing me into their family. And thanks to the AMAZING all-female/POC crew at the Arsht Center for this spectacular chalk drawing!


I recently reunited with one of my cabin-mates at Interlochen from NINETEEN YEARS AGO! We haven’t seen each other since that amazing summer, but I still feel like we are and will continue to be lifelong friends. Here’s what Andrea — an outstanding horn player and music teacher — had to say:

This is a little late, but on Valentine’s, Ryan Vella and I went to see “Hamilton” at the Straz in Tampa. And if you know me, you know how much I love it, but that’s not why I’m writing this post. The best part of the night was when I first opened the playbill, and to my complete surprise, it flipped open to a photo of one of my cabin-mates from Interlochen Arts Camp ‘00, Ashley Baier who is performing in “Hundred Days,” which is running next door to “Hamilton.” So, after 19 years (seriously, how has it been that long!?) and yet again, thank you to Victoria Guyre, we got to see Ashley’s performance last Friday. Even though we could only chat for a little afterwards, it was wonderful and surreal to see you, and like you said, I hope we don’t wait another 2 decades until we see each other again! Congratulations on a beautiful performance - you all certainly give the Hamilton casts in Tampa (and NYC) a run for their money. If you’re reading this and in the Tampa Bay area, go see “Hundred Days!” They’ll be there until the end of March. ❤️

Here are some pics Andera shared as well:

I’d never seen this picture before! Me in the center with Erin to the left and Andrea to the right.

I’d never seen this picture before! Me in the center with Erin to the left and Andrea to the right.

Our awesome cabin! So many amazing ladies in this group. Can you spot me?

Our awesome cabin! So many amazing ladies in this group. Can you spot me?

Andrea and I outside of the Straz after the show. It was so nice to catch up and meet her husband.

Andrea and I outside of the Straz after the show. It was so nice to catch up and meet her husband.

Back at it: Hundred Days


The latest version of Hundred Days is up and running at the Straz in Tampa. We had two days of tech and open Tuesday. My friend from college, Scott Crawford, provided the rental — a beautiful, brand new Pearl Session Studio Classic kit. It sounds great! Scott is a fantastic percussionist and all-around great guy. It was a dream come true to have him tech for me on Sunday. I can’t wait to hang with him some more on this 2.5 month stint in Tampa.


Down the Mountain

Here is one of my highlights of the Grinch. “Down the Mountain” starts and ends on timpani and has a rockin’ tom part. This scores the scene in which the Grinch sleds down Mount Crumpit, cracking the whip (as played by Key 2) at his dog, Max. It is always a thrill to play.

Rig Rundown: The Grinch

The Grinch is off to a good start here in Green Bay. Let’s take a look at my setup for this season:


This year I’m playing a Champagne Sparkle DW kit It sounds great for this particular show. Beefy toms! I’m using a variety of Zildjian cymbals.


Using the always trusty Roland SPD-SX with 9 different kits programmed (woodblocks, gong, tambourine, bass drum, chimes, glock, sleigh bells, triangle, finger cymbal, ratchet, and one timpani patch are all programmed). Two Adams timpani (29” and 26”). I also have an acoustic cowbell and Jam Block, but they didn’t make the pictures.


Mmmm… I love a good metal station. Mark tree, two triangles, one finger cymbal, and three Miller Machines.


Delvcam mounted on my music stand so I can see the conductor when I’m reading the music.


Stick tray with a variety of multi-sticks, timpani mallets, brushes, triangle beater, sus mallets, and two caxixi.


And finally, Aviom land. Each band member has their own channel in addition to a conductor mic and onstage mic.

That's a Wrap: Hundred Days


My time performing in Hundred Days at La Jolla Playhouse was a dream come true. It was a pleasure to get to work each day with some of the most artistic, compassionate, and talented people I've ever met. I can't wait to start up the show again in Tampa in January. Until then, I'll be walking, I'll be walking.

📸: Lindsey Augusta Mercer

From the Rehearsal Room: Hundred Days

Hello from Day 2 of rehearsals for Hundred Days. Things are going along swimmingly! I’m an actor now! In addition to drumming for the show, I do some singing and choreography. Pray for me! Here’s a pic of my rehearsal setup. The midi keyboard is not part of my track, it’s just to help me with the vocals, as I’m singing on stage for the first time since singing a song from Annie at my seventh grade choir concert. Yikes.

Support Interstate


I start rehearsals for Interstate next week. It's one of the 12 shows chosen for the New York Musical Festival this season -- and the opening night show, taboot, taboot!

The music is wonderful and the story is one that is close to my heart, to say the least. Please contribute to the Kickstarter if you can and I hope to see you at one of the shows! #RepresentationMatters